Showing Records: 1 - 3 of 3
Juxta. No.5-6 / Jim Leftwich, Ken Harris, editors ; Andrews B ; Berry J ; Bennett JM ; Heman B ; Strangulensis F ; Padin C ; Selby S ; Gutierrez PJ ; Aguiar F ; Burrus H ; Evason G ; Hill C ; Vassilakis N ; Andryczuk H ; spence p ; Beining G ; Malok ; Basinski M ; Murphy S ; Nash S ; Beining G ; Gagnon JC ; Padin C ; Lehmus J ; Burgaud C ; Chirot D ; Polkinhorn H ; Pessoa F ; Soupault P ; Breton A ; Hibbard T ; Daniels C ; Foley J., 1997
Six pages from Jake Berry's Brambu Drezi Book 2 are reprinted; the Sackner Archive holds the manuscript of this book. This issue includes one of the early appearances of Michael Basinski's calligraphic poems. -- Source of annotation: Marvin or Ruth Sackner.
Juxta. No.9 / Ken Harris, Jim Leftwich, editors ; Berry J ; Foley J ; Bennett JM ; Polkinhorn H ; Selby S ; spence p ; Leftwich J ; Silliman R ; Bernstein C ; Jess ; Brannen J ; Silliman R ; Grenier R ; Eigner L ; Duncan R ; Eshleman C ; Olson C ; Brannen J., 1999
Jack Foley writes about language poetry, He states that in its movement away from speech and towards "writing as such," language poetry emphasizes the visual; writing is a visual art! However, it does not push visual into the realm of concrete or pattern poetry, which often cannot be spoken at all. "The words in language poetry CAN be spoken, even if speech is not the key to opening the poem. Concrete poetry is just one aspects of the 'experimental' with with language poetry does not concern itself." -- Source of annotation: Marvin or Ruth Sackner.
Parts a Plomb / Harris, Ken ; Lasley, Rebecca Graham., 1996
The poetry by Ken Harris is similar is style to the work of John M. Bennett. The graphics are manipulated images by R.G. Lasley mostly incorporating text and abstractions. -- Source of annotation: Marvin or Ruth Sackner.